We've updated our Terms of Use. You can review the changes here.

Trophic Asynchrony

by Adam Stafford

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      £7 GBP  or more


  • Record/Vinyl + Digital Album

    Includes unlimited streaming of Trophic Asynchrony via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 14 days
    Purchasable with gift card

      £15 GBP or more 


  • Full Digital Discography

    Get all 68 Song, by Toad Records releases available on Bandcamp and save 50%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Trophic Asynchrony, Diamonds of a Horse Famine, In Monochrome, Free and Easy Wandering, Separate Lives, The Complete Guide to Insufficiency (2019 remaster), Split 12" Vol.7, Fire Behind the Curtain, and 60 more. , and , .

    Purchasable with gift card

      £201.25 GBP or more (50% OFF)


For Fawn 02:44


The new album by Adam Stafford, out on Song, by Toad Records on the 9th July.

Scottish composer and filmmaker Adam Stafford returns with Trophic Asynchrony, a vivid exploration of our relationship with nature at a time of intersecting crises. Written and recorded during lockdown, the predominantly instrumental album takes its title from the cascade of non-seasonal events due to climate change; of swallows returning in winter, of blizzards in summertime and daffodils at Christmas.

Through mutating patterns, expressive textures and Stafford's instinct for rhythmic experimentation, Trophic Asynchrony teams with life: its eight immersive tracks foregrounding the confusion of these relentlessly strange days of political chaos, plague and ecological precarity.

"We're at a real critical crossroads in terms of where humanity is heading and the systems of neo-liberal excess are happy to eat themselves to death while the rest of us either shrug or shake our heads,” says Stafford, who tracked the album in four days with Robbie Lesiuk.

Lesiuk has been a regular collaborator on Stafford's prolific output, notably on 2018's ambitious, classical-influenced album Fire Behind The Curtain. While the diamond-sharp intelligence of that highpoint shimmers on here, Trophic Asynchrony is a sleeker, more aerodynamic affair, with the Falkirk multi-instrumentalist drawing on his parallel work as a photographer and filmmaker to focus on imagery and emotion rather than lyrics.

"I certainly had particular ideas in my head when I was writing stuff like the first track 'Carnivore Of Lawns', which is supposed to evoke birds lifting off the ground in flight,” says Stafford, naming JA Baker's classic nature study The Peregrine and Winged Migration, an extraordinary 2001 documentary where filmmakers positioned the viewer amid flocks of migrating birds. Over the trill of a simple three-note figure, Carnivore Of Lawns layers keys, bells and chimes in patterns which interact and change; at once suggesting the meticulous biomechanics of flight and the freedom of a birds-eye view.

Just as Baker's poetic work saw the naturalist's own sense of self seeming to merge with that of the ruthless hawks, there's a soaring, near transcendent mode to Ruptured Telecine and Nested Octohedra, movements of off-planet electronica where digital splurges coalesce and separate, like colours on laboratory blotting paper or a rainbow seen from high in the atmosphere.

Stafford improvised the latter's heavy breath rhythms during recording. “Some people have said that it's reminiscent of Inuit breath games, which wasn't my intention,” he says. “I was imagining it being more like running, of trying to out-run a malevolent entity in an increasingly oppressive computer game.” He continues: “We're always running from something in life, debt, work, old skeletons chasing us down and death. Currently, fear of death is palpable and we can only operate within the framework of the game in which we are stuck."

Trophic Asynchrony's oldest track dates back to around November 2018, when Falkirk poet Janet Paisley died at the age of 70. Known to Stafford since boyhood, Paisley's poem 'Watter' was the basis of Stafford's second short film No Hope For Men Below (2013). It also includes the phrase “thrapples clag” (“lump in the throat”) the title of the album's poignant closing track, which is dedicated to the poet's memory.

The tone of loss pervades Trophic Asynchrony's final third, with Driver Of An Endless Latin Hearse conjuring mourners in a vast desert while the widescreen Threnody For February Swallows bristles with unease.


released July 9, 2021

Produced by Robbie Lesiuk.
Mastered by Reuben Taylor


all rights reserved



Song, by Toad Records Edinburgh, UK

An independent record label, blog podcast and gig night based in Edinburgh, Scotland. With added gin and swearing.

contact / help

Contact Song, by Toad Records

Streaming and
Download help

Redeem code

Report this album or account

If you like Trophic Asynchrony, you may also like: